In today's article we are going to delve into the fascinating world of Anthology of the Patriarchal Hall. Anthology of the Patriarchal Hall is a topic widely studied and debated today, since its implications cover various aspects of society. On both a personal and collective level, Anthology of the Patriarchal Hall has a significant impact that deserves to be explored in detail. In this article, we will analyze the different perspectives and approaches that have been proposed around Anthology of the Patriarchal Hall, as well as their relevance in the contemporary context. We will be addressing historical, cultural, scientific, and social aspects to provide a comprehensive vision of this very relevant topic. Get ready to immerse yourself in the exciting universe of Anthology of the Patriarchal Hall and discover its influence on our lives!
The Anthology of the Patriarchal Hall (Chinese: 祖堂集; pinyin: Zǔtángjí; Japanese: Sodōshū) is an ancient Chinese text compiled by two Chinese Buddhist monks in 952 during the Five Dynasties and Ten Kingdoms period. It is the oldest existing collection of Chanencounter dialogues, dating from about half a century before the much better-known Transmission of the Lamp. After being lost for centuries, it was rediscovered by Japanese scholars in the 20th century at the Haeinsa temple in Korea, in a complete form with all twenty chapters. The text survived in the form of printing plates made during the 13th century, and not as a printed book. Much like other Chan Buddhist texts, it is written in the form of daily conversations between masters and students or between students themselves.
The Anthology is particularly important for the study of the history of Chinese, as it contains what is believed to be a good record of what vernacular northern Chinese speech was like in the 10th century. An example of a grammatical phenomenon in the text is the use of 也 yě as a marker of the perfect, showing a coalescence of the Classical Chinese particles 也 yě and 矣 yǐ.
