In today's world, Temple blocks has become a relevant topic of interest in different areas. From science to culture, Temple blocks has significantly impacted society, generating debates, research and deep reflections. With a global reach, Temple blocks has captured the attention of experts and the general public, becoming a crucial point of discussion and analysis in the academic, social, political and economic spheres. In this article, we will explore various perspectives on Temple blocks, addressing its meaning, implications and consequences in different contexts.
Percussion instrument
This article is about the percussion instrument. For Chinese wood blocks, see Wooden fish. For other uses, see Temple Block.
Temple blocks are a type of percussion instrument consisting of a set of woodblocks. It is descended from the muyu, an instrument originating from eastern Asia, where it is commonly used in religious ceremonies.
Description
It is a carved hollow wooden instrument with a large slit. In its traditional form, the muyu, the shape is somewhat bulbous like a bell, but modern instruments are often rectangular in shape. They are generally played in sets of four or more to give a variety of pitches, in which they are also known as "tone blocks". In Western music, they can be traced back to early jazz drummers where they were used as exotic instruments before being later adopted into widespread orchestral use. An updated version of the instrument made by Latin Percussion, known as "granite blocks", is made out of plastic rather than wood.
The sound of temple blocks is similar to that of normal woodblocks, although temple blocks have a darker, more "hollow" timbre. In their most common configuration of five, temple blocks are typically tuned to a pentatonic scale. Chromatic and diatonic sets have also been made. Despite this, they are not commonly treated as pitched percussion.
^Cirone, Anthony J.; Grover, Neil; Whaley, Garwood (2006). The Art of Percussion Playing (1st ed.). Meredith Music. p. 88. ISBN1-57463-047-4. OCLC70782197.
^Holland, James (2005). Practical Percussion: A Guide to the Instruments and Their Sources (Rev. ed.). Scarecrow Press. p. 50. ISBN978-1-4616-7063-6. OCLC681550519.