In today's world, The Flood (Stravinsky) is a topic that has gained great relevance and has aroused great interest in society. Since its emergence, The Flood (Stravinsky) has captured the attention of experts, professionals and the general public, generating a wide debate around its implications and consequences. In this article, we will explore in detail the different aspects related to The Flood (Stravinsky), from its origin to its current impact, analyzing its influence in various areas and its relevance today. Through an exhaustive analysis, we will seek to unravel the mysteries surrounding The Flood (Stravinsky) and understand its true reach in modern society.
The Flood: A musical play (1962) is a short biblical drama by Igor Stravinsky on the story of Noah and the flood, originally conceived as a work for television. It contains singing, spoken dialogue, and ballet sequences. It is in Stravinsky's late, serial style.
The work was premiered in the United States on the CBS Television Network on 14 June 1962, a production conducted by Robert Craft and choreographed by George Balanchine. Dramatic actors participating in the work included Laurence Harvey (narrator), Sebastian Cabot (Noah), and Elsa Lanchester (Noah's wife, which Lanchester played with a Cockney accent). Robert Craft also conducted the first staged performance, by the Santa Fe Opera in New Mexico in 1962, and again in Hamburg on 30 April 1963.
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